There is nothing decorative in the passive sense about this pair. These early 19th-century English Georgian brass horses assert themselves with composure and control, each shown in profile with a raised foreleg and a slight bow of the head—a studied gesture that reads as discipline, not deference. They are not portraits of a specific breed, but idealized “show” types, their elongated lines and poised stance evoking the cultivated elegance of the period’s finest Horse.

The casting is deliberate: musculature suggested, not overstated; surfaces smooth, reflective, and quietly commanding. Behind, their tails flare in full, sculptural arcs—lush counterpoints to the restraint of the bodies. Each figure rests on a brass riser, elevating them—literally and figuratively—into objects meant to be seen.

Originally designed to punctuate the mantel, they still excel there. But their flat backs make them equally persuasive as doorstops or bookends. However you place them, they hold their ground—confident, resolved, and entirely unapologetic.

12.5 in. W x 3.5 in. D x 8.75 in. H